In a world sometimes plagued by division and indifference, the question, Am I My Brother’s Keeper?, can be interpreted as an enquiry into one’s moral responsibility towards others. It prompts reflection on the extent to which individuals can support one other. The exhibition opens-up a discussion about the interconnectedness between people and highlights the positive impact of our responsibility to care for and support one another. The phrase challenges us to think beyond our individual interests and consider our bigger role in creating a more just, compassionate and inclusive society.  

Sculptor Sean Henry has a remarkable talent, he conveys the depth and complexity of the human experience through his sculptures. Sean says, “We don’t know who they are, and while the figures might seem familiar and - I hope – emotionally present, the ambiguity around their status is an important part of how and why we engage with them.” His art goes far beyond mastering technical skill and requires a profound understanding of and empathy for the subjects being portrayed. He captures the human form with compassion, depicting the emotions, struggles, and joys that define us as human. 

His figures also convey the vulnerability, strength and resilience that exists within each individual. They tell stories, evoke emotions and create connections with the viewer.

The Bishop West Chantry Chapel which dates from 1534, at the end of the South choir-aisle is strikingly ornate, panelled with tabernacle-work, it was originally crowded with brightly coloured painted figures covering every niche on the entrance screen and inside the chapel. In this exhibition an installation comprised of thirteen contemporary figures have been sited in these Italianate ornamental plinths and niches. Sean’s contemporary figures are placed in conversation with each other echoing Bishop West’s Motto, Gratia Dei sum quod sum.’ “By the Grace of God, I am what I am.” Which runs above the entrance to the chapel. These sculptures are of everyday people referencing life and the lived experience. The diverse ways in which people encounter his sculptures contributes toward a rich blend of narratives that reflect the complexity and depth of the human experience. Each visitor brings their unique background, culture and life experiences to their encounter with Sean Henry’s figures. These personal experiences shape how visitors perceive and relate to each sculpture, speaking to their emotions, perceptions and inner thoughts.

Within the context of a sacred space, Am I My Brother’s Keeper? is a portal through which bridges may be built between people both inside and outside the community, helping to open up discussion about our shared humanity. Through acts of compassion and understanding, a world can be created where no one is left behind and all have an opportunity to thrive. His people invite us to explore, question and connect with the different people around us. 

Jacquiline Creswell, Curator

T.P.O.L.R, 2002 | Man of Honour, 1999 | Standing Man (With and Without), 2001